Editor's Note
HOMEIn this issue of Out of Print we feature a single work by U R Anathamurthy. The Hunt, The Bangle and The Chameleon, around ten thousand words in length, has been translated from Kannada by Deepa Ganesh.
Chandrahas Choudhury in his review entitled Hinduism Cast Against Modernity
of Professor Ananthamurthy's recently translated Bharathipura (translation, Sushila Punitha, Oxford University Press, 2011) comments that 'Mr Ananthamurthy profoundly interprets India from within its own structures. Writing in his native Kannada, … he takes as his great theme Hinduism's relationship to modernity.' Of Professor Ananthamurthy's work, Tim Parks says in his New York Review of Books article Does Money Make Us Write Better? it 'has the all difficulty and rewards of the genuinely exotic, … [in comparison to] the far more familiar Indians writing in English (Salman Rushdie, Vikram Seth, and others) who have used their energy and imagination to present a version of India to the West where exoticism is at once emphasized and made easy.'
One of Professor Ananthamurthy's most acclaimed novels is Samskara: A Rite for a Dead Man (translation A K Ramanujan, Oxford University Press, 1976) later made into an award winning film by Pattabhi Rama Reddy. In India: A Wounded Civilisation (Andre Deutsch 1977, Penguin, 1979), V S Naipaul sees the novel that in his view captures 'the Indian idea of the self', as 'a form of social inquiry' which, in examining the 'complex apparatus of rules, rituals, taboos', highlights the decay of Indian civilisation. Refuting this as too limited an interpretation, R K Gupta in his article, The 'Fortunate Fall' in U R Anantha Murthy's Samskara (International Fiction Review, 7 (1), 1980, pp. 20-28) suggests that the 'moral and spiritual growth' of the protagonist, the Brahmin Praneshacharya 'through what might be called his "fortunate fall" defines the theme and controls the form' of the novel. The critical event of the acharya's 'felix culpa' is his encounter with Chandri, a woman of low caste that leaves him recognising that 'he has lost his virtue. At the same time, however, he has an irresistible sense of having attained through his experience not only physical and emotional fulfillment but also an increased moral awareness as well as a broadening and refining of his human perceptions.'
We offer that The Hunt, The Bangle and The Chameleon explores both the social themes of transition and modernity that occupy Professor Ananthamurthy, as well as the transformation of the individual, although here, the defining change in the protagonist, Krishnaswamy comes not from an encounter with sin, but rather with innocence.
The cover design by Yamuna Mukherjee contains an image from a collaborative community project by N S Harsha involving the TVS School in Tumkur, and images from a piece of Kalamkari or crafted-by-pen fabric depicting stories from Hindu mythology.
N S Harsha, lives and works in Mysore, India. His work includes detailed figurative painting and drawing, semi-abstract panels, sculptures and installations, site-specific projects and community-based collaborations. He has exhibited widely and participated in a variety of collaborative projects in India as well as internationally. He is the recipient of numerous awards including the prestigious Artes Mundi 3 Prize in 2008, the Sanskriti Award in 2003 and the Vasudev Arnawaz Award in 1992.